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Notes from the Virgin Suicides
your job is merely to create the noise that
excites me
fascinates me
distracts me
i’m a woman in disguise
i understand love and death
both come with this womb
i know everything about you
and you cannot fathom me at all
the imprisonment of being a girl
makes you learn what colors go together
makes you live a million dreams inside out
makes you a stranger each new moon
your job is merely to create the noise
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devolving
the beautiful are found at the edge of a room
crumpled into spiders and needles and silence
and they are crying like plants whose roots are cut.
each dead child coiled, a white serpent.
the young today are born prisoners
perfection is terrible, it cannot have children.
men are made mean, by fear, and a system of grab.
and the best won’t breed, though they don’t know why.
how suddenly the soul in a man begins to die.
*above image by street artist SWOON
*above image by street artist SWOON
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break up never make up
the aching aftermath of our breakup is not these random tears that help me learn to lose you, but this final letter you sent. silly words cheapening our experience, desperate for a memory that will reverse the painful end. these words sit crumpled like wayward insect legs in the corner, pieces of something long dead. it’s over and these skeletons reach to revisit moments that no longer exist. your image of me is delusion now, and the pedestal i placed you on is illusion always.
you do the killing my love
i’ll do the digging my love
everybody else can tell:
we’re a match that’s made in hell
i’m fire.
you’re magic.
we might have lost some battles
bruised and torn and battered
but we’re gonna fight until we win
because love is war…


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see how i leave
throw your soul through every open door
count your blessings to find what you look for
turn your sorrow into treasured gold
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domestication
who learns to cook anymore? who has time for that? i’ve been busy making dollars. who has time to give birth anymore? i’m busy breaking hearts. who cleans the toilet? not me, i’m busy.
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Mauna Kea
3 am. 13,000 feet. As the full moon lit our path as brightly as the sun could have, I focused on breathing and the purpose of my sleep deprived hike to the summit of Mauna Kea…
“Remember the mood tonight is love. The prayer tonight is sshhhh…listen. We are not going to the summit to speak, we are going there to listen.”
Addressing the people who have gathered at his home in Hilo on this night, December 21, 2010, for the winter solstice, Uncle Paul Neves, ali‘i ‘aimoku (high chief) of the Royal Order of Kamehameha I and Kumu Hula, speaks about the protocol for the evening and what winter solstice is about.
As some finish making ho‘okupu (offerings/embodiments) for us to take and offer during prayers, his words travel through the air barely loud enough over singing koki frogs. His words really serve as etiquette for everyday life: “It’s about raising the standards of aloha always,” he says. “It’s about how we love this land and how it responds. It’s about love always, because if cannot, what else are we doing here?”
This is the second time in a month I’ve been asked to climb the summit of Mauna Kea. The first time, I came on assignment for an in-flight magazine, driving alone to the top in a four-wheel drive vehicle on a beautiful day. My mission was simply to experience a trek to the top. This second time, I had been invited by KAHEA: The Hawaiian Environmental Alliance, to document their celebration of the winter solstice during the full moon in December…
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